A good advert can stop traffic. A really good advert can make traffic too scared to pass. This, I say, is a really good advert.

Designed for my own company, GYST Services, it gets the message across in a highly visual and effective way. It says that small can be powerful, and versatile, and aggressive. It says we got game. And it says we can hold our own against the big boys, and win. Just like GYST, in fact.

Here, it’s Muscle Car vs Cube. Cube wins. Cube always wins.

And it speaks the truth: Never underestimate the stopping power of a well-placed advertisement. Want one? 🙂

My last post showcased a work-in-progress (WIP) for one of the many companies I work with. For each company I routinely have many folders full of collateral to call upon, and for each I always have at least one WIP. Here’s why.

Any creative brief leaves much room for interpretation.  It’s my role to interpret what is asked for, choose a path to that ultimate goal, and then create something wonderful. It’s on me to make the client go “Wow!” And that brings with it both a challenge and an opportunity. This is all part of the joy of design.

The challenge is to visualize exactly what the client means when they say something like “I want something dynamic!”. That broad concept and what it means to me, may not be what it means to the person speaking. Dynamic can mean interactive, or giving the impression of motion. I have, in fact, seen this very sentence yelled out lout, accompanied by a palm slamming onto a table. I even once watched as a CEO did a little Superman impression complete with accompanying “Whoosh!” flying sound. I kid you not.

Those are the clients that don’t really know what they want, and do you know what? They don’t need to know. They just want me to pull something amazing out of my hat. And that’s where the opportunity comes in.

In the absence of specific guidelines, you need to come up with your own starting point. Make your own design decisions. Choose the direction and the meaning of what you create. Many of my clients want me to come up with all the ideas. That’s fine. I actually prefer it.

I usually begin by asking for two colours. Then I ask for two or three words which encapsulates the message they want to send. That could be about the company itself (Dynamic! Forward thinking!), or about the product they want to promote (Reliable! Innovative!). That’s when I start throwing pixels.

Starting with the base colours provided, it’s sketch time. What do those two or three words say to me? How can I make that message into something visually pleasing that will attract the target audience of Joe (or Joan) public? Is it a sales message? Informational? Who is this aimed at and what do they want to see? What will pull them in?

Starting with a blank page I can spend a lot of time putting together concepts which are ultimately thrown away, because for whatever reason they don’t quite work. That time is not wasted however, since it helps to polish the process, and zones in on the final choice of concepts. Now, some have likened this process to a sculptor starting with a square block of marble and throwing away the marble chips as he works, revealing the finished statue. That’s far too pretentious to my way of thinking, so forget that, but on a practical level it is true that throwing away all the good concepts created along the way would be wasteful. Though they may not work for this particular project, they may be perfect for the next. That’s where WIP folders come in.

The previous post showed one such WIP concept, a car representing a company. Compare that image with the one in this post. Same idea. Different product, different company, different look and feel. But for this company, this concept works.

Many creative artists and designers have also had the unhappy experience of putting their hearts and souls into a project, only to have it dismissed out of hand by the client when they present it. I feel your pain, I’ve been there. I think all of us have.

What I want to say to those on the receiving end is simply this: If you haven’t already, put your cast-off designs into a WIP folder of your own. When you have time, revisit it. You may find another angle, another inflection, another use. If not, you can play with the design, develop it further. Practice. And play.

Play is the oil that keeps the wheels of imagination turning. There I go being pretentious again. But it’s true. Keep on keeping on. Your WIP folders serve as your source of both inspiration and reassurance: When you look back on them you know your work is good.  Use your WIP concepts to reflect on old and new projects, and to get your creative ideas flowing. Often, you will find they serve as a launch pad for new and even better creative ideas.

And that springboard will lift you to new creative heights.