By default most cameras record images in 4:3 aspect ratio. Some use the web friendly 16:9. Many people never look further. That’s a shame.
There are many ways to get a panorama image. You could use a specialist camera. You could take multiple images and stack them with software. Or you could just crop. Whichever way you go the aspect ratio plays an important part in determining the ‘feel’ of the image. Generally, a 2:1 ratio is the standard. For me, I like to stretch things further and find a 3:1 often makes for a more engaging result. This comes from my work in print production. A 3:1 might fit better on the wall above a couch, say. Regardless, aspect ratio is an important consideration. One I always bear in mind when lining up a shot. I determine the composition in my head while framing the image. That said, one image can look great in multiple aspect ratios. It all depends on what you see in the camera.
The humble panorama has a great pedigree and has been used by artists throughout history to excellent effect. The format is ideal for landscapes as it allows insight into surrounding areas while maintaining razor sharp focus on the subject without what could otherwise be irrelevancies that take focus from the subject. For example, in a photo of a cow you don’t want viewers focused on overhead powerlines or your dog. It’s also an excellent technique to use for horizon shots.
Here are five taken recently less than a mile from home, here in Port Colborne. Originals are all in the 4:3 aspect ratio that my camera uses, but I cropped to 3:1 and I think it works to demonstrate the point.
